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https://github.com/9x/sheetmusictrainer.git
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Phrase mode: always-eighths arpeggio/Giuliani, auto meter, custom patterns, alternating bass
- arpeggioGenerator: always 240-tick eighths; auto-derive 3/4 vs 4/4 from pattern length (remainder heuristic); never stretch the last note (fixes the two-octave 2880-tick VexFlow crash in 6/8); rest fills built from renderable durations only; new 'custom' pattern from digit input (1=root..5=fifth-above-octave); removed meter/rhythm config — generator computes its own meter. - giulianiGenerator: always eighths; meter auto-derived from figure length (3v->3/4, 4v->4/4, 5v->4/4+rest, 6v->3/4); fixed pimami figure [0,1,2,3,2,1]; added pimai/pmia/pmim figures; alternating bass option (even bars voice the fifth as bass); removed the quarter-note fallback. - PhraseTrainer: removed meter/rhythm selects for arpeggio+giuliani; custom pattern text input; alternating bass checkbox. - SettingsTypes: 'custom' arpeggio pattern, customArpeggioPattern, giulianiAlternateBass; removed arpeggioRhythm. - PhraseSheetMusic: minWidthPerBar 420 -> 500 for 16th notes. - Tests updated for the new invariants + coverage for custom patterns, alternating bass, new figures, renderable-tick sweeps (1031 -> 191 per-file, all green); removed temporary crash_test.test.ts.
This commit is contained in:
@@ -10,6 +10,10 @@
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* the root) and V-1 higher strings; each note of the cycle is placed on its
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* designated string at the fret matching the chord tone. Figure repeats
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* over the chord; every bar re-voices (deterministically) so sequences work.
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*
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* Rhythm is ALWAYS eighths (240 ticks per note); meter is auto-derived from
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* the figure length, so odd figure lengths never produce non-renderable
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* durations.
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*/
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import { PPQ, validateScore, type Result, type Score, type ScoreEvent, STEP_LETTERS, LETTER_PC, type StepLetter } from '../score/model';
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import { keyFor, type KeyContext, type ModeId } from './scales';
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@@ -25,8 +29,11 @@ export type GiulianiPattern =
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| 'pmamim' // asymmetric
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| 'piai' // bass + octave-third (wide spacing)
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| 'pmami' // bass + fifth-octave-third
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| 'pimami' // bass-third-fifth-third (waltz-like)
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| 'pimaia'; // bass with two upper-voice pairs
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| 'pimami' // bass-third-fifth-octave-third-fifth (waltz-like)
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| 'pimaia' // bass with two upper-voice pairs
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| 'pimai' // p-i-m-a-i
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| 'pmia' // p-m-i-a
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| 'pmim'; // p-m-i-m
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export const GIULIANI_PATTERN_LABELS: Record<GiulianiPattern, string> = {
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pim: 'p-i-m (3 voices)',
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@@ -39,6 +46,9 @@ export const GIULIANI_PATTERN_LABELS: Record<GiulianiPattern, string> = {
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pmami: 'p-m-a-m-i',
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pimami: 'p-i-m-a-m-i (waltz)',
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pimaia: 'p-i-m-a-i-a',
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pimai: 'p-i-m-a-i',
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pmia: 'p-m-i-a',
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pmim: 'p-m-i-m',
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};
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/** Figure voice slots per repetition (indices into the cycle [root, third, fifth, octave]). */
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@@ -51,15 +61,17 @@ const FIGURES: Record<GiulianiPattern, number[]> = {
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pmamim: [0, 2, 3, 2, 1, 2],
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piai: [0, 1, 3, 1],
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pmami: [0, 2, 3, 2, 1],
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pimami: [0, 1, 2, 3, 2],
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pimami: [0, 1, 2, 3, 2, 1],
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pimaia: [0, 1, 2, 3, 1, 3],
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pimai: [0, 1, 2, 3, 1],
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pmia: [0, 2, 1, 3],
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pmim: [0, 2, 1, 2],
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};
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export interface GiulianiConfig {
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readonly keyTonic: string;
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readonly keyMode: ModeId;
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readonly pattern: GiulianiPattern;
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readonly meter: { readonly numerator: 3 | 4 | 6; readonly denominator: 4 };
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readonly tuningId: string;
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/** Bars (one chord per bar). */
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readonly bars: number;
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@@ -69,6 +81,9 @@ export interface GiulianiConfig {
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readonly seed: number;
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/** Deterministic pattern from the practice filter (strings restriction). */
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readonly allowedStrings: readonly number[];
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/** Alternating bass: even bars (0-indexed) take the fifth degree as the
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* bass note instead of the root. Upper voices stay on chord tones. */
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readonly alternateBass?: boolean;
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}
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const DEGREE_INDEX: Record<string, number> = { I: 0, ii: 1, iii: 2, IV: 3, V: 4, vi: 5, 'vii0': 6 };
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@@ -98,32 +113,63 @@ function triadPcs(key: KeyContext, degreeIndex: number): ChordTone[] {
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}));
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}
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/**
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* Auto-derive meter from the figure length (always eighths):
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* 3 voices (240×3=720): 3/4 (2 cycles = 1440, perfect fit)
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* 4 voices (240×4=960): 4/4 (2 cycles = 1920, perfect fit)
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* 5 voices (240×5=1200): 4/4 (1 cycle + 720 rest)
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* 6 voices (240×6=1440): 3/4 (1 cycle = 1440, perfect fit)
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*/
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export function autoGiulianiMeter(figureLength: number): { numerator: 3 | 4; denominator: 4 } {
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switch (figureLength) {
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case 3: return { numerator: 3, denominator: 4 };
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case 4: return { numerator: 4, denominator: 4 };
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case 5: return { numerator: 4, denominator: 4 };
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case 6: return { numerator: 3, denominator: 4 };
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default: {
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// Fall back to the same remainder heuristic as arpeggios.
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const totalTicks = figureLength * 240;
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const bars4 = Math.ceil(totalTicks / 1920);
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const remainder4 = bars4 * 1920 - totalTicks;
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const bars3 = Math.ceil(totalTicks / 1440);
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const remainder3 = bars3 * 1440 - totalTicks;
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if (remainder3 < remainder4) return { numerator: 3, denominator: 4 };
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if (remainder4 < remainder3) return { numerator: 4, denominator: 4 };
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return bars3 <= bars4 ? { numerator: 3, denominator: 4 } : { numerator: 4, denominator: 4 };
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}
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}
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}
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/**
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* Voice a figure bar: assign each cycle position (root/third/fifth/octave)
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* to a string with a valid fret, bass string lowest. Returns per-slot
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* {stringIndex, fret, midi} or null when impossible with the allowed strings.
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* When `bassOverridePc` is given, the bass (cycle position 0) uses that pitch
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* class instead of the root (alternating bass).
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*/
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function voiceBar(
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tuning: Tuning,
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chord: ChordTone[],
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pattern: GiulianiPattern,
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allowedStrings: number[],
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bassOverridePc?: number,
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): { stringIndex: number; fret: number; midi: number }[] | null {
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const figure = FIGURES[pattern];
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const maxVoice = Math.max(...figure) + 1; // e.g. 3 for p-i-m, 4 for p-i-m-a
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const bassPc = chord[0].pc;
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const bassPc = bassOverridePc ?? chord[0].pc;
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// Candidate strings sorted low→high for the bass; upper voices fill above.
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const strings = tuning.strings.map((open, idx) => ({ open, idx }));
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const sorted = [...strings].sort((a, b) => a.open - b.open);
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const usable = sorted.filter(s => allowedStrings.length === 0 || allowedStrings.includes(s.idx));
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const octavePcs = [...chord.map(c => c.pc), (chord[0].pc + 12) % 12];
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// cyclePcs[i] = pitch class of cycle position i
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const cyclePcs = octavePcs;
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// cyclePcs[i] = pitch class of cycle position i (0 = bass, 1..3 = upper
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// chord tones: third, fifth, octave-of-root).
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const cyclePcs = [...chord.map(c => c.pc), (chord[0].pc + 12) % 12];
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if (bassOverridePc !== undefined) cyclePcs[0] = bassOverridePc;
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const bassCandidates = usable.filter(s => {
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// bass must be able to reach the root within 12 frets
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// bass must be able to reach the bass pc within 12 frets
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for (let fret = 0; fret <= 12; fret++) {
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if (((s.open + fret) % 12 + 12) % 12 === bassPc) return true;
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}
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@@ -188,13 +234,23 @@ export function generateGiulianiStudy(
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}
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// Voice each bar; drop bars that cannot be voiced (rare with full pool).
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const full = config.meter.numerator * PPQ;
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const figure = FIGURES[config.pattern];
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// Meter is ALWAYS auto-derived from the figure length; the user no longer
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// picks a meter for Giuliani studies.
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const meter = autoGiulianiMeter(figure.length);
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const full = meter.numerator * PPQ;
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const events: ScoreEvent[] = [];
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const chordSymbols: (string | null)[] = [];
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const usableBars: { degreeIndex: number; placement: ReturnType<typeof voiceBar> }[] = [];
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for (const di of degreeIndices) {
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for (let b = 0; b < degreeIndices.length; b++) {
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const di = degreeIndices[b];
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const chord = triadPcs(key, di);
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const placement = voiceBar(tuning, chord, config.pattern, config.allowedStrings as number[]);
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// Alternating bass: even bars (0-indexed) take the fifth degree as
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// the bass note instead of the root.
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const bassOverridePc = config.alternateBass && b % 2 === 0
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? chord[2].pc
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: undefined;
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const placement = voiceBar(tuning, chord, config.pattern, config.allowedStrings as number[], bassOverridePc);
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if (!placement) continue;
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usableBars.push({ degreeIndex: di, placement });
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}
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@@ -202,39 +258,19 @@ export function generateGiulianiStudy(
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return { ok: false, error: 'No bar could be voiced with the current string selection — allow more strings or a lower fret window.' };
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}
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// Rhythm: one note per slot (figure repeats); one figure per beat.
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const figure = FIGURES[config.pattern];
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// Renderable note durations only (durationCode subset). Figures with a
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// length that divides neither 4 nor 3 evenly would produce exotic ticks
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// (e.g. 96 = 32nd triplets) that the renderer can't spell — snap those
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// combinations to a safe layout instead of crashing the renderer.
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const RENDERABLE_NOTE_TICKS = [120, 240, 360, 480, 720, 960];
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let notesPerBar = config.meter.numerator * figure.length;
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let noteDur = full / notesPerBar;
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if (!RENDERABLE_NOTE_TICKS.includes(noteDur)) {
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// Fall back: one figure per TWO beats (halves the notes per bar),
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// then per bar, then quarters as last resort.
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for (const div of [2, 3, 4]) {
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const cand = full / div;
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if (cand % figure.length === 0 && RENDERABLE_NOTE_TICKS.includes(cand / figure.length)) {
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notesPerBar = div * figure.length;
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noteDur = cand / figure.length;
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break;
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}
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}
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if (!RENDERABLE_NOTE_TICKS.includes(noteDur)) {
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// Final fallback: quarter-note walk through the figure (cycling).
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notesPerBar = config.meter.numerator;
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noteDur = PPQ;
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}
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}
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// Rhythm: ALWAYS eighths (240 ticks). Each bar holds
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// `notesPerBar = (bar length / 240)` notes; the figure repeats to fill
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// the bar. For 3- and 4-voice figures in their derived meter this is a
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// whole number of repetitions; 5-voice figures in 4/4 leave a 720-tick
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// rest at the bar end.
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const notesPerBar = Math.floor((meter.numerator * PPQ) / 240);
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const fillSlots = Math.floor(notesPerBar / figure.length) * figure.length;
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let cursor = 0;
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for (let b = 0; b < usableBars.length; b++) {
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const { degreeIndex, placement } = usableBars[b];
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if (!placement) continue;
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chordSymbols.push(chordNameFor(key, degreeIndex));
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for (let n = 0; n < notesPerBar; n++) {
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for (let n = 0; n < fillSlots; n++) {
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const f = n % figure.length;
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const slot = figure[f];
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const note = placement[slot];
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@@ -247,10 +283,24 @@ export function generateGiulianiStudy(
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events.push({
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id: `g${b}-${n}`,
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startTick: cursor,
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durationTicks: noteDur,
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durationTicks: 240,
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pitch: { midi: note.midi, step: d.step, alter: d.alter, octave },
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});
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cursor += noteDur;
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cursor += 240;
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}
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// Rest fill for figure lengths that leave a gap (e.g. 5 voices in 4/4:
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// one cycle = 1200 ticks, remaining 720 = dotted quarter rest).
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const barStart = b * full;
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const barEnd = barStart + full;
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if (cursor < barEnd) {
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const gap = barEnd - cursor;
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events.push({
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id: `gr${b}`,
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startTick: cursor,
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durationTicks: gap,
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pitch: null,
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});
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cursor = barEnd;
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}
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}
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@@ -259,7 +309,7 @@ export function generateGiulianiStudy(
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version: 1,
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id: `giuliani-${config.keyTonic}-${config.keyMode}-${config.pattern}-${config.bars}b-${config.seed}`,
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title: `Giuliani study — ${key.tonic} ${config.pattern} (${totalBars} bars)`,
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meter: config.meter,
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meter,
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key: { tonic: config.keyTonic, mode: config.keyMode, signature: key.signature },
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measures: Array.from({ length: totalBars }, (_, i) => ({
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number: i + 1,
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@@ -272,4 +322,4 @@ export function generateGiulianiStudy(
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const problems = validateScore(score);
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if (problems.length > 0) return { ok: false, error: `Internal giuliani error: ${problems[0]}` };
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return { ok: true, value: score };
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}
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}
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